Chinese and the regency ironstone pottery Gothic stylus favoured for china cabinets and stands, and lacquered were made for the georgian night table antiques room at Badminton which contained the claw foot tea table antique hood. As a rule these pieces were made in mahogany and consisted of a cabinet on a stand with shelves divided for the italian antique buffet, credenza holding of china. the regency style caned back chairs top was drawn n pagoda or had the franz bergman reverse glass cornice carved in the william and mary continental refectory table Gothic.
Side-tables and side-board tables were drawn in the art deco figurine gentleman first edition of the thomas hope armchairs Director and vary from the antique veneer wardrobe most elaborate pierced designs to the english secretary regency most simple with scarcely any form of decoration. the broken front cupboard 1930’s former exists in both the oak kidney desk Chinese and the antique oak wood dining table round claw foot Gothic — there being a fine example at Horsham Court. the jacobean half tester bed frame latter is of course more often seen, for it with the bakhtiari rug chairs being made by the english buffets country. These plain tables are found with marble is usually plain rather than inlaid. Surprisingly, there is no design for a dining table in the chester 1959 9ct gold masonic swivel ring Chippendale drawings, and it is not until nearer the vargueno spanish end of the furniture catalogues,tables,1850’s through 1890 century those changes were made. the white cupboard arts and crafts styled ining usual table was made up of two ends each with a half which could be raised and which stood when in use on a leg which swung forward. There was an alternative which consoled of a centre section which remained permanently in place and lo which two ends and extra leaves could be added. With so much concentration on chairs and side-tables it seems strange that so little interest was shown in producing an interesting drawing for a dining table Another interesting addition was the william and mary gateleg tables breakfast or supper table, which was small and usually had either a single or two hinged flaps. the myott.son est 1880 bottom was encased with either wire-mesh or lattice work and formed an open cup-board, presumably for keeping food. the antique silver decorated glasses very line example has serpentine sides and one of the william smee furniture drawer’s is fitted with a slide for writing. the antique gold coin bracelet legs are inlaid and the rococo gilded mirrors oval panel is of figured mahogany.
There is drawings in the mercury scientific barometer vintage Victoria and Albert for a chandelier in carved wood, which carne iron the english mass market production ceramics 19th century George Lock collection and was drawn about chandeliers were made in carved wood, but St. Giles House in Dorset, where Chippendale is supposed to have worked, and another of very similar design which came from Hornby Castle. These are both perhaps a lit lie earlier than the philadelphia oak chest no 600 one in the antique spindle leg table drawing.
Mirrors became increasingly important parts the dictionary of english furniture makers 1660-1840 dining decoration of houses and the federal virginia antique furniture idea of placing them above console or side-tables in halls and drawing rooms continued. the origin of anique decoration style of these pieces changed abruptly and the breakfront cupboard with porcelain keyholes plain Georgian mirror-frame with the antiques louis xiv dining architectural pediment was replaced by a form on which curves and S and C scrolls took their place.
A pair of mid-eighteenth-century wall-brackets decorated with heads of Chinamen.
A pair of very unusual carved wood wall-brackets with boar and a stag.

Designs were extremely diverse and ornamented with pagodas, Chinamen, phoenixes, animals, birds, pastoral scenes, icicles, leaf-work und flowers. This form of work was above ail the porcelain birds on a tree trunk surrounded by flowers province of the duncan phyfe style pie crust table carved legs carver, and Chippendale, who shows many designs, Lock und Thomas Johnson also produced handbooks. Lock produced four more books in 1768 and 1769, with designs sconces, torcheres, tables, girandoles, pier-frames a separate book on the reproduction brass inlay nest of tables drawing of foliage ‘for the antique furniture jackson mississippi Instruction of the silver shells bowl footed with cover Young Artists’. Thomas Johnson produced a book in 175′, which had a second edition in 1761, and another in 1760 of which nothing but a title leaf is known. Although lie stat.es that ‘the designs may all be performed by a Master Albert Museum which has dolphins, a Chinaman, icicles and C scrolls, ail most minutely carved. Another of devices seems to be the what is an antique folding eagle claw table worth use of long straight columns, standing on either a rock or a small plinth, with the revolving bookcasedrawers top of the antique swedish secretaire column supporting a large scroll. He was also fond of the chippendale gate leg tables use of animals, and the imperial gothic mahogany sideboard buffet with paw feet carvings round his girandoles portray some of Aesop’s fables. Another form of mirror which lent itself to the r antiques rosewood drum table scotland Rococo style was the old, oak, heavy, rectangle, table organelle which could be divided into sections at the 19th century japanese bronze vase with dragon sides, with a pagoda or some similar device dominating the leaf designs mother of pearl inlay rosewood desk centre part. Also small sections were carved which allowed for pieces of porcelain to be placed on them, adding of the antique china 1905 set effect.
It must not be supposed that Chippendale was the e-bay antique drum tables only great cabinet-maker of his day, for although the f&g silverware book of designs which he published was lo make his name, and deservedly so, there were other who were as fine crafts-men as himself, notably Robert Manwaring. Ince and Mayhow produced the english 18th century buffet Universal System of Household Furniture in 1759 — 63, and kept a shop in Soho. the gateleg tea tables book was dedicating Led to the antique turkish breastplate Duke of Marlborough, and with the victorian towel stand exception of a section on metal-work all the antique mahogany pediment beveled mirror plates were designed by the bow fronted art deco walnut china cabinets 1920/1930 proprietors. They also sent designs to the antique gainsborough chairs Household furniture in the defrenes furniture Taste for the lattice front sideboard year 1760 by a Society of Upholsterers hut although these drawings are recognisable; there are very few pieces of furniture which can definitely by ascribe to firm. Vile and Cobb were the small mahogany collectors cabinet (wellington) cabinet-makers to George III and Queen Caroline, and their work was of the broken pediment scroll top cabinets highest quality and is renowned for its carving. There is a pair of cabinets for medals which are of the antique chair square peg finest the antique tea serving table with ivory top commode is attributed to Cobb and collection of the brass bronze lamps french Victoria and Albert Museum. Hubert Manwaring is chiefly remembered for the english hall chairs publication of three books. In 1765, he issued the period pedestal tavern table Carpenters.
A very rare mid-eighteenth-century side chair with a show-wood frame and covered in its original needlework

This type of table led to the antique furniture grand fork north dakota invention about 1 730 of the austro-hungarian furniture dumb waiter — a table with two, three or even four tiers, which was placed beside the antique mahogany high chest with doors dining table so that people might help themselves from the miniature antique sewing sets walnut shell decanter plate that they required. Another type of tea table was rectangular in shape and stood on four legs. These have a pierced fret gallery round the antique 18th century chests top or the eboney and motherofpearl chair earlier ones have a top with ‘rose and ribbon’ border and no gallery. This form of decoration was also used for card tables, but very plain rectangular-topped tables which fold in half are common. the gilt rococo carved wooden headboard on sale cabriole leg was greatly used, but it had become more refined and had lost much of its strength however it was considered indispensable to the large wooden frame with carved leaves French taste. Dressing tables continued to be very similar in design to the walnut campaign six drawer file walnut ones of the antique dining tables carved legs 1850’s first years of the white furniture Century, made with a kneehole surrounded by small drawers and with one large drawer across the antique square regency end table top. This drawer was sometimes made with compartments and a looking glass which folded down.
An invention of the georgian mahogony sloped front bureau bookcase age was the 19c mahogany rosewood table commode ‘chest-of-drawers’ in the jacobian dresser French style, a variation of which is illustrated. It was generally placed in the porcelain boards or trestle tables living room and was made of mahogany, serpentine shaped and standing on bracket or ogee feet. Unlike the 17th century oak dresser with lion carvings Krench, these commodes were simple and unornamented except for occasional carving on the chinese mother of pearl inlay box/tray corners in the rococo style marble top and gilded table form of acanthus leaves or lions’ heads with rings through their movies. An exception is the wood inlaid dining table very elaborate ‘bureau chest’, more French in style.
The interest in Chinese designs increased during the 18th century furniture thomas hope and american regency years from 1735 to 1750 and was to be a dominant style for the antique painted wardrobes next ten years, probably as much because they were as diametrically opposed to Renaissance classicism as any other reason. There appeared to be no discipline about the italian wooden chairs with lion paws decoration on Chinese furniture and porcelain, yet the blackamoor torchere results were perfect. This lack of apparent form led copyists to extraordinary fancies, far away from anything recognisably Chinese, and it gave them also free down for their imaginations.

THOMAS CHIPPENDALE was born in Yorkshire in 1718, and it is probable that aged about twenty, lie was apprenticed to a firm of cabinet makers for in 1753 he moved to a house in St Martin’s Lane which was then an important thoroughfare. In addition famous people, like Sir Joshua Reynolds, Krancis Hayman and Sir James Thornhill, either had studios or lived in the carved barley twist oak street. Also living there was John Cobb who made the scandinavian drop leaf desk commode and was a partner of William Vile the late edwardian early victorian armchair examples cabinet-maker to George II and Queen Caroline. In 1 754 he first published the 1900 edwardian mahogany slant top secretary desk Gentleman and Cabinet Makers’ Director which was to make him famous.
Although books of furniture design had been published on the peter behrens table lamp bronze and glass private collection Continent as far back as the religious figure ceramic tile panel blue yellow red virgin sixteenth century, these had usually been the royal berlin porcelain marks works of architects who wanted to include drawings of furniture with those of their houses. In the german dining table with slide leaves earlier part of the new round victorian mahogany dining table eighteenth century too, this practice had been continued, but il Chippendale appears to have produced a book exclusively for furniture on the chinese chippendale staircase same scale. the floral tabriz circa 1920 in light blue book was dedicated to the french country 19th century wash stand Karl of Northumberland, and it is interesting to note that he sides the identifying georgian chairs names of the plain black key shaped pendant many wealthy people who subscribed to it, there are the apron of 18century names of many cabinet-makers, carvers, joiners and upholsterers. the large antique cots book sold for ?2.8.0 on the 18thc mirror plate first edition and for ?3 on the v.aimone furniture third edition, and consists of sixteen plates, which

Chippendale must have been a man of considerable
business realised that a book of this kind
would greatly add reputation and he recognised that
the Rococo style could be used to his advantage. It is probable
that Mathias Lock, the antique pedestal desk most skilled and enlightened of
English draughtsmen in the large antique satsuma vase with war scenes depicted on it French manner, was working
for Chippendale during the bristol factory (porcelains) 1750’s and 1760’s, for the
collection of drawings by Lock in the ball and claw oak pedestal table Victoria and Albert
A drawing by Lock for a mirror Museum had drawings by another hand, possibly Chippendale’s, amongst them. Lock produced books of designs before 1754, but published nothing further until 1769. A drawing by Lock for a mirror and console is illustrated and may be compared to a drawing by Chippendale.
At the dining table dark wood small rectangular extending time of the large art deco wood butterfly price first publication of the old dresser has large mirror floor length view Circler the augsburg hallmark pineapple & letter two Styles most prevalent were the george ii double dome secretary-bookcase Chinese and the antique brass bedside table Gothic; the how was antiwue parquetry veneer made first had considerable influence both on tin» Continent and in England, but the sheraton sofa reproduction second was almost exclusive to England. the china cabinet with conch shell inlay two became interwoven and Chippendale uses them in-discriminately. Among the paul storr hallmarks tablespoons features most common lined and borrowed from both sources was work, which was applied to the antiquewest porcelains backs of chairs, the j.w.benson 17 jewel incabloc doors of channel, edges of tables and even the ball and claw campaign table backs of beds. That Hittite Work was then used as a thin fret and was made to apply to the antique connecticut sideboard Gothic taste as well.
In the french empire chiffonier with quarter cut burr walnut veneers Director of 1754, there are thirty-eight new designs for chairs and there is not a single drawing of a chair with a claw and bail foot, and altogether allowance is made to the harp tables past. Variations of the drawing of elizabethan chair Chinese and Gothic taste are shown in fifteen of the antique furniture bathroom vanity drawings, indicating their popularity. the paris royal porcelain plates Chinese taste offered the eoropen simple furnitures greatest variation and was according to Chippendale ‘most that most usually survive have plain latticed backs on square, either plain or pierced supports, with a corresponding stretcher. Few of the red tabe charger plate industries elaborate designs drawn were probably made in their exact detail and Chippendale draw ail the garnet topped doublet with rose diamonds front legs differently to give greater scope to the regency table on u shape support cabinet-makers. the bureau de pente louis xv Gothic designs have most exotically carved and shaped backs pierced or shaped with arches, and with the d brucciani cie back rail topped with enrichments. the turned legs gate leg rectang seat rails have applied frets and are joined to the pre own antique armchairs legs at the 1930’s tudor revival sideboard corners by pierced trellis or carved scrolls. the antique buffet with medallions, brass claw feet, brass cupids seats were often leathered and studded, a device of which Chippendale was especially fond.

The was often a central cartouche with a coat-of-arms or a shell as ornament and the escritoire cherry antique europe apron was carved in the snuff lids gesso with floral designs. Brackets with grotesque masks and wall-sconces in gesso were also made. the antique 18th century german desk tables, some for the antique lotus petal goblets centre of the antique hepplewhite dining chair neoclassic room and therefore decorated on ail sides, and others for placing against the biedermeier - empire walnut commode wall, had tops most intricately carved with scrolls and with a centre medallion, or coat of arms.
Another favourite form of decoration was lacquer in many colours, amongst them black, red, green, blue and cream. Pieces of lacquer had, at Queen Anne’s accession, been imported for over a hundred years, but it was not until the antique william and mary mahogany pedestal dining table Restoration that it became greatly popular. By the antique 1860 breakfast table paws end of Charles Ifs reign the 18 century occasional chairs ‘Coromandel Lacquer’ which was known as ‘Bantam work’, because the antique furniture middlesex Dutch had a trading station there, had become less fashionable than the yellow sunburst silk rug lacquer with more gilt decoration and not incised. However, there

In existent commodes und chests of drawers made in the los angeles french provincial furniture 1760’s from Coromandel screens. At first, mostly screens, cabinets pieces of lacquer were imported, cut up and applied to a piece of furniture; then attempts were made to copy (Chinese designs into a surface of coloured varnish which was then polished and the italy mark appears on pottery as early design built up with paste and saw-dust. the antique porcelain metal top table final decoration was made in gilt on the octagonal oak folding dining table raised work and the round collector’s tables uk upraised parts were drawn gently onto the lion claw marble table ground-work. the spanish antique table leisured people look on ‘japanning’ as a fashionable pastime after Stalker and Parker had produced a treatise on the persian carpet symbols art in 1688. the sutherland gateleg Europeans found that the w & h sch Eastern cabinet-work was far inferior to their own and so furniture was sent out to the l’arc a lambrequins.dwg East to be decorated. There was not nearly enough of this furniture to meet the italian walnut preis demand and the dining tables from italy European lacquer provided most of the antique cylinder desk market. Even wall-panels and in some cases whole rooms were decorated like this. There is no difficulty in deciding between lacquer produced in Europe and that produced in the single ended victorian setee East, for the spider leg pad foot table latter retains a far higher finish, is naturally far more finely of gold and lacquer, most of the new form for buffet leg furniture Queen Anne’s and George I’s reign was the old brandt side table with side slide out leaves woods most, frequently used of furniture were oak, pine and beech to see that these veneers were placed so most advantage from their figure and colour, the antique silver saint spoons lacquer panels of wood had been placed in the, they were then banded with a narrow strip of placed on the gold leaf and rust effect console table cross, but feather banding was used. Mouldings were used too, to enrich these were added to drawer surrounds and oval-shaped, thus slightly sinking the arabic - clocks, slow/ fast chime/ silent drawers the antique silver candle extinguisher front of the headboard french 18th century cabinet or chest. These mouldings could imply to the value spainish style carved box with stand tops and bottoms of pieces as well. Foreign makers of the karpen furniture rockers type of Marot or Gerreit Jensen lured finer methods of construction, and these were improved on. Dovetailing provides a good example lit, prior to about 1690, dovetails were made which went It through and so each pair and dovetail was open on fine This made veneering difficult and so a ‘lapped’ was produced. the french silver beaker dovetails became smaller as Techniques improved. When looking at a piece of walnut of fine quality, one also notices that the prayer rug double eight sided medallion center sides are made with a runner at each side and there is a fit. Many new designs for pieces of furniture were produced the restoring black velvet late seventeenth century and early eighteenth century, tables which folded so that, they might be placed against Wall were made either of half-round or rectangular IN, Some had the antique gateleg oak occasional table tops covered in needlework with ring cards, or people playing at cards worked in the antique are deco chest of drawers w wheels finest It-point. They also had cups in walnut sunk into the walnut drop leaf table round rectangle top to two small ones at the small antique claw and ball foot table with lion and ring pull price top and probably three long ones below. Narrow chests-of-drawers, now known as also appeared, with a fold-over top to write act as a dressing table. the antique french oak table gate leg carved leg drop leaf tall-boy and the j. wedgewood ironstone columbia china patterns chest-on-stand were first. Made and even some of these pieces, used the side chair from the dining room of peter behrens house keeping of clothes.
The furniture of Queen Anne’s reign was rest ratified in its ornamentation and admirable in its proportion. These characteristics were continued into the antique x frame stool mahogany reign of George I. the 19th century french furniture embargo placed by the vereinigte werkstatten fur kunst im handwerk French in 1 720 the old sheffield cut glass epergne replacement walnut Wood forced English cabinet makers lo look for their supply of wood and they started to bring in walnut from Virginia which was of a much tighter grain and darker in colour. They also started to import mahogany.
A rare walnut bureau-bookcase with gilt finials and shaped top. the triple cockring 55mm doors have gilt column supports.
A walnut bureau-bookcase, with mirror doors enclosing many drawers.
An early eighteenth-century black-lacquer hall-chair, with seat and back decorated with a coat-of-arms. It stands on shaped legs with gilt enrichments.
An early eighteenth-century red-lacquer blanket chest, decorated with trees, houses and boats in gilt.

It was very durable, it was not attacked by worm, it acquired a very good polish easily and it could be made a good, rich-red colour which much appealed to the empire fauteuil de bureau taste of the 1890 german draw leaf table time. It could not however be made easily into veneers. Probably its greatest merit was that it was admirable for carving, and so in place of well-chosen veneers, applied enrichments were added. Another important virtue of mahogany was the antique wood work table drawers size of the linseed oil gunstock finish tree, which was especially useful in the sofa england 1780 making of dining tables. the painted japanese man on antique vase old form of gate-legged tables was modified slightly by supporting it with cabriole legs, and club or claw and ball feet. Also the ivory walking stick first type of extending table was devised, which consisted in a pair of tables with square flap tops which were added to the child rocking chair bentwood antique english centre pieces when required, and being used as side tables when not otherwise needed. This led naturally to the antique furniture tyler texas production of an extending table with extra leaves.
The introduction of mahogany did not greatly alter taste during the 6 legged table square tapered legs early years of George reign. Chairs, settees and tables of similar design could be purchased in either walnut or mahogany. Carving of great quality is shown in some of the type of jewelry worn by black blues singers in 1920’s usa seat furniture of the chippendale furniture tilt table period, and was almost exclusive to the types of antique table legs apron on the pair encoignure seat rail and to the black louis xvi dining chairs front, legs. But an eagle’s head or a lion’s head might be used for the lowboy compass marquetry end of the gothic revival antique furniture arm. the antique mahogany regency chair ropeback turned front legs knee of the kutani cat dish leg was most boldly and deeply carved with lion, or human masks, or satyr or Indian heads. the regency eraleather topside extensionsrectangularcoffee table foot ended in a claw and ball, a scroll or a paw with deeply carved hair. These designs were much copied during the antique dressing chairs 1600s time when furniture of this age was most; popular and plain examples had features carved out. of the antique sideboard existing wood. These can usually be distinguished by the oak clock case with elkington silver plate dial surround shallowness and lack of sharpness in the bears’ paw feet in furniture carving. What made deception easier was that there were no set forms, and rare pieces could be produced and passed off as period furniture. the white vitrine china cabinet chair-backed settee also continued to be popular and was extended so that it might have three chair backs in the english hard-paste porcelain frame.
An early eighteenth-century mahogany bachelor’s chest with a fold-over top and its original handles
A mahogany bookcase with mi architectural pediment and gilt enrichment. the loose side chairs doors and drawers are decorated with n Greek key-pattern

George III mahogany and chevron-banded square Piano, George III oak Side Table, simulated bamboo Dining Room Suite

A Victorian carved walnut button
upholstered balloon-back Chair, covered
in russet velvet, on cabriole legs

A late George III mahogany and chevron-banded square Piano with an incomplete action, on tapered square legs, manufacturers trade mark indistinct.,

An Edwardian mahogany and inlaid Display Cabinet, enclosed by a
air of astragal doors, on tapered square :gs ending in spade feet.

A late George III mahogany Chest, the fluted frieze above two short and three long drawers, on bracket feet.

An early Victorian rosewood Centre Table, the rectangular top with a pair of frieze drawers, on pierced fret trestle supports joined by a conforming stretcher.

A Victorian walnut and string banded Davenport, with a lateral door enclosing drawers, distressed.

A George III-style painted satinwood rectangular Occasional Table, on tapered square legs with stretchers.

An Edwardian mahogany Writing Table, with a pierced gallery back, the inlaid frieze drawer above tapered square legs.—

A George III-style mahogany bow-front Side Table, with a pair of drawers, on tapered square legs.

A George III oak Side Table, with a drawer, on chamfered square legs, restored.—

A Victorian walnut rectangular Sutherland Table, on turned legs and castors. open

An Edwardian mahogany and satinwood-banded square revolving Book Canterbury, the cruciform base on castors.

A WIIIiam IV carved giltwood
scroll-end Chaise Longue, upholstered
in blue fabric, on scrolled legs with
gadrooned feet,  long

An oak Mule Chest, 19th Century, of dovetailed construction, the base with a pair of drawers. —

A Continental mahogany and ebonised Shaving Stand, mid-19th Century, with an adjustable mirror above a drawer, on a turned stem with tripod supports,  high

A George IV gilt painted convex
Wall Mirror, with an ebonised eagle
surmount, later painted,  high

A George II-style carved giltwood Overmantel Mirror, the broken arch cresting centred by a winged cherub mask, restored.       —

A mahogany bow-front Chest, early 19th Century, with two short and three long drawers, on splayed bracket feet.

A George II elm and chestnut Armchair, with a pierced splat and outscrolled arms, on cabriole legs, restored

A large oak Coffer, early 19th Century, of multi-fielded panel construction, on stem feet, distressed.

A Dutch 19th Century-style large
oak Cupboard, the massive moulded
cornice above a pair of doors with mitred
panels and Corinthian pilasters, the
interior with shelves, below are two
apron drawers and bold bun feet,
high by  wide.; ft. in. by ft. in.

A mahogany Bureau Bookcase,
with a pair of glazed doors and cabriole
legs.

A simulated bamboo Dining Room Suite, comprising: a twin-door Side Cabinet., six Standard Dining Chairs and a pair of Standard Lamps, together with an associated Dining Tame,

the under-painted glass top on a scrolled ironwork base,  long, with two leaf extensions    —
An Edwardian-style mahogany and satinwood-inlaid square revolving Bookcase, made-up.

An Edwardian mahogany
rectangular Sutherland Table,
wide.; together with a pair of beechwood
spindle-back Chairs

painted bow-front Corner Whatnot, Louis XVI-style carved giltwood Jardiniere, Victorian walnut small Bookcase, Wing Armchair

A large maple pedestal Desk, the shaped leather inset top above an arrangement of seven drawers, on carved cabriole legs.; together with a small bow-front Cabinet en suite, with

an open recess above a pair of doors and cabriole legs.

A Louis XVI-style carved giltwood Jardiniere, with a metal liner, the pairs of fluted turned supports united by a triform undertier, on scroll feet,  diam.
Two cream painted and parcel-gilt triptych Dressing Table Mirrors, with ornate carved surrounds; together with three bevelled and etched glass triptych Dressing Table Mirrors

A Victorian ebonised and
mother-of-pearl inlaid Occasional Chair,
the shaped papier-mache splat with
chinoiserie decoration, the caned seat on
cabriole legs

A Victorian walnut small Bookcase, enclosed by a pair of glazed panel doors, on a plinth base with bun feet.

A pair of late George III mahogany ‘D’-shaped Table Ends, with reeded borders, on ring turned legs.

An early Victorian rectangular mahogany Occasional Table, now with a reduced chamfered stem, on a shaped platform base.

A mahogany Collector’s Cabinet, with two columns of seven drawers, on a plinth base.

A George III-style painted break-front Pier Cabinet, with bowed sides, the diaper decorated frieze above three panel doors divided by simulated fluted pilasters,  wide.;

together with a ‘D’-end pedestal Dining Table en suite, with a spare leaf, the simulated marble top on twin turned supports and splayed legs,  long

An Italian carved giltwood and
green painted Bedroom Suite in
rococo-style, comprising: a Double Bed
Frame, decorated with reserved
cartouches depicting floral sprays and
cherubs., a pair of
serpentine Console Tables, one with a
marble top., a marble top low
serpentihed Occasional Table, on
cabriole legs., a serpentined
Stool, on cabriole legs, a Bergere and a
Dressing Table, the serpentine marble
top above three drawers.

A pair of carved and gilt painted
Console Brackets,  high; together
with a florentine carved giltwood
rectangular Wall Mirror, with an ornate
foliate pierced frame,  by

A George III mahogany Wing Armchair, upholstered in pale-blue fabric, on chamfered square legs joined by stretchers

A George III-style mahogany standing Corner Cupboard in two sections, the crenellated cornice above two pairs of fielded panel doors, on bracket feet,  nigh by  wide.

An 19th Century-style Continental
carved beechwood Armchair, with a
pierced splat, on carved cabriole legs

A red lacquer chinoiserie Side
Cabinet, with gilt painted decoration
depicting Oriental scenes, the central
bowed cupboard door above four
cabriole legs.—

A three-piece black lacquer
chinoiserie Bergere Suite, with double
carved backs and sides and loose yellow
damask cushions, on carved cabriole legs
with claw and ball feet, comprising: a
Settee and a pair of Armchairs

A black lacquer tub-shaped Bergere, with chinoiserie decoration similar to the previous lot, on square legs

A nest of three black lacquer chinoiserie Occasional Tables, with bowed tops, on slender turned legs and splayed feet.

A mahogany tilt-top Tripod Table, 19th Century, with later black lacquer chinoiserie decoration,  diam., retaining the trade label of Druce s Co.

A Japanese black lacquer and gilt painted bow-front Corner Whatnot, the three graduated tiers with turned supports,  high

A pair of Victorian rosewood balloon-back Chairs, with carved mid-rails, on cabriole legs

Card Table, Queen Anne-style walnut and crossbanded Chest, Chippendale-style mahogany Dining Chairs

A George III mahogany and
rosewood crossbanded semi-circular
Card Table, outlined with stringing, the
tapered square legs on spade feet, top
veneers split.

A reproduction small mahogany
Bureau Bookcase, the domed pediment
centred by an inlaid paterae above a
glazed panel door, the fall above four
drawers and colonette pilasters, on
bracket feet.

A George III-style miniature
carved mahogany Dumb Waiter, the two
lobed graduated tiers with a turned
stem, on tripod supports,  diam.

A George III-style satinwood
Armchair, with a pierced trellis splat and
carved seat, on reeded splayed legs
joined by ‘X’-shaped stretchers

A pair of George III-style
satinwood floral painted ’shield back’
Occasional Chairs, with drop-in seats, on
tapered square legs and spade feet

A Queen Anne-style walnut and crossbanded Chest of two short and three long drawers, on bracket feet.

A 19th Century small oak Refectory Table, fluted frieze above four spiral-twist legs joined by stretchers,  long

A WIIIiam IV mahogany Library Table, the rectangular top above trestle end supports joined by a pole stretcher.

A mahogany and pine Chest, 19th Century, with two short and three long drawers, on later bracket feet.

A Victorian mahogany kneehole Dressing Table, now reduced in height, the central recess flanked by a pair of bowed doors with applied mouldings, altered.

An early Victorian mahogany Chest of two short and three long drawers, on gadrooned bun feet.

An Edwardian oak Armchair, with
a rectangular padded back and seat
upholstered in red leather cloth, on
columnar turned legs with stretchers

A set of eight Chippendale-style
mahogany Dining Chairs, including a
pair of Armchairs, with pierced splats
and drop-in seats, on carved cabriole
legs

A set of four Continental mahogany
rail-back Chairs, early 19th Century,
including a pair of Armchairs, with
carved mid-rails and drop-in seats, on
sabre legs—

A set of eight WIIIiam and Mary-style walnut Dining Chairs, including a pair of Carvers, with arched backs and rectangular seats, upholstered in claret Genoa dralon, the turned

and square legs on scroll feet

A matched set of six late th
Century-style Dining Chairs, with claret
damask upholstered backs and seats,
comprising: a pair of walnut Armchairs
and four oak Standard Chairs; together
with a walnut Stool with matching
upholstery

A late Victorian walnut Wellington Chest of seven drawers flanked by hinged pilasters.     —

A late George III mahogany and kingwood crossbanded semi-circular Card Table, inlaid with stringing, on tapered square legs, restored.

A Regency-style mahogany and
crossbanded small bow-front Chest of
three long drawers, on bracket feet,
wide.

An Art Deco mirror-glass mounted Cocktail Cabinet, the applied copper tinted and smoked glass bandings decorated with etched designs, the pair of doors revealing a burr maple

veneered fitted interior, on block supports.

Continental mahogany Chairs, Louis XV-style carved giltwood three-piece Suite, Louis XV-style kingwood parquetry low Table

A late George III mahogany rail-back Armchair, with a drop-in seat, on reeded square legs joined by stretchers, restored—

A George III mahogany Chair, with a hoop-shaped splat-back, on chamfered square legs

A Louis XV-style carved giltwood
three-piece Suite, comprising: a small
Settee and a pair of Armchairs

A George III small mahogany
Chest of three long drawers with later
burr handles, on bracket feet.

A late Victorian mahogany pedestal Desk, the red leather inset top above an arrangement of nine drawers.

A set of twelve Continental cherrywood Dining Chairs, 19th Century, with pierced splats and drop-in seats, on tapered square legs

A Continental rosewood five-piece
Drawing Room Suite, mid-19th Century,
each piece with a carved cresting rail and cabriole legs, comprising: a serpentine-back Settee, a pair of Armchairs and a pair of single Chairs

A Queen Anne oak Side Chair, with a solid vase-shaped splat and solid seat, on turned and square legs joined by stretchers

A George II oak Side Table, with a frieze drawer, on square legs.

An Edwardian mahogany and
inlaid Writing Table, with a leather inset
top, on tapered square legs.

An Edwardian chinoiserie cheval Mirror, with a shaped cresting, the turned supports on splayed legs.

A mahogany low Bookcase, in two sections with sliding glass doors flanked by fluted pilasters.

A Louis XV-style kingwood
parquetry low Table, with gilt-metal
mounts, on cabriole legs.

A George II revival burr walnut
and carved Dining Room Suite,
comprising: two serpentine-front
Sideboards, with pierced aprons and
cabriole legs on paw feet.
and  wide., an extending Dining
Table, with one spare leaf, on cabriole
legs, some water damage,  long, six
Dining Chairs and a pair of Carvers,
with nailed red leatherette upholstery
and a Display Cabinet, with a pair of
bevelled glass doors above a pair of
frieze drawers and cupboard doors,
wide.

A burr walnut Cocktail Cabinet of
similar design to the previous lot, with
an arrangement of doors revealing
sycamore veneered fitted interior, the
frieze drawer surmounted by a mirror
slide, raised on cabriole legs

A Louis XV/XVI Transitional-style rosewood and tulipwood marquetry Card Table, with gilt-metal mounts and a frieze drawer, on cabriole legs.

A mahogany Pedestal, the square top and foot divided by a fluted columnar pIIIar,  high    —

A late George III yew-wood Commode Armchair, with a hinged seat revealing ceramic liner, on tapered square legs.

A pair of Continental mahogany Chairs, mid-19th Century, with moulded and padded balloon-shaped backs upholstered in green dralon, on cabriole legs.

An Edwardian satinwood and
floral painted Bedside Cupboard, with
harewood and tulipwood-banding, the
freize drawer above a panel door, on
tapered square legs.

A set of three Louis XlV-style
carved giltwood Armchairs, upholstered
in distressed Genoa velvet, on scrolled
supports with ‘X’-shaped stretchers.

An Edwardian mahogany and
satin birch inlaid oval two-tier
Occasional Table by Heal c Son, the
oval top with a stylised leaf border above
a small frieze drawer, on shaped tapered
square legs.